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The children who first embraced Florence Upton's Golliwog
inevitably grew up. Fashions and fads changed, and Florence herself was
yearning to pursue her career as a serious, professionally trained artist. The
last of the Golliwogg books was published in 1909 and Berthas death in
1912 truly brought the adventures to a close.
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Florence continued to study and paint, concentrating
mainly on portraits. She exhibited at the Royal Academy and other prominent
venues and rapidly established a reputation as an accomplished society
portraitist. Additionally, she received hundreds of commissions from the
families of young soldiers. Deeply sympathetic, she often chose to accept no
fee, especially in cases where posthumous portraits were carried out using only
photographs and personal belongings of the unfortunate young men. |
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 Florence Kate Upton |
Frustrated by delicate health, Florence was found unfit to
serve in any physical capacity during the First World War. However, she
satisfied her determination to help out by donating her original dolls and
drawings to a fund-raising auction for the Red Cross, conducted by Christies in
1917. To her horror, the dolls and hundreds of drawings were catalogued to be
sold as one lot. Despite her misgivings that it would never sell, the lot was
indeed purchased for a considerable amount. The money realised from the sale of
her drawings purchased an ambulance, aptly christened Golliwogg,
which went to the front and served in France. It is sobering to consider that
some soldiers must have owed their lives to their hero from a not-so-distant
childhood.
At the age of only 49, Florence Upton died in her studio on
16 October 1922, from complications following surgery. She is buried in West
Hampstead Cemetery. For many years her vandalised grave was unidentifiable,
with the headstone toppled face-down in the grass. The stone has now been set
upright, courtesy of a Heritage Lottery grant, and awaits restoration.
The original Golliwogg and Dutch Dolls resided for many
years at Chequers, the Prime Ministers country estate in Berkshire. They
now receive visitors at the Museum of Childhood at Bethnal Green, London.
It is difficult nowadays to appreciate the enormous impact
that the Golliwogg had at the height of his career. Florence Uptons
friend and biographer, Edith Lyttelton recollected, "One of my children,
long before we knew who Bertha and Florence Upton were, had a passionate
attachment to the doll stories, and a new Golliwogg book was a great excitement
in my nursery as in countless others." Children and parents alike were
frantic to learn of the Golliwoggs latest escapade with the same sort of
feverish passion that a new Harry Potter book inspires in modern readers.
Unfortunately, Florence neglected to patent the character
and consequently lost a considerable amount in royalties. Recognising a large
and profitable market, many toy companies took advantage of the popularity of
the books and started to manufacture the doll, while other writers and
illustrators took equal advantage, but in doing so changed the very soul of the
Uptons creation.
The prolific Enid Blyton chose to depict her golliwogs as
rude, stupid and untrustworthy little gremlins and other authors took a similar
tack. Nasty-minded people seized upon the name as a degrading term for anyone
who wasnt white-skinned, blithely inventing convoluted explanations of
the origin of the word. Florence Upton despaired, I am frightened when I
read the fearsome etymology some deep, dark minds can see in his name. It
was Florence herself who came up with the innocent moniker, very probably
unconsciously based on what American children call tadpoles the
pollywog.
Despite the negative connotations that have arisen over the
years, everyone who has owned a golliwog expresses nothing but affection for
the toy. For many, he eclipsed even the teddy bear as a chosen companion. |